What Do We Mean By #PracticeWhatYouPublish?

We’re all changed by the books we read, but the staff and authors at Propriometrics Press strive to embody the ideas we work to bring to the world. Our team lives and models the ideas presented in our books and when on social media we like to share the way we individually fit our books’ ideas into our life by using the hashtag #practicewhatyoupublish.

When you see a #practicewhatyoupublish post you are seeing how we, Propriometrics Press staff and authors, bring the theories in our books to life. You can find these posts by searching the hashtag #practicewhatyoupublish on Instagram. 

Below are some examples of the way we embody our books.

Eat Well, Move Well, Live Well author Galina Denzel adds movement to her meetings.

Who packs new book pre-orders? Our authors (and their friends and family) do! Check out some dynamic packing and Movement Matters’s Vitamin Community in action.

How do our books get edited? Usually on the move! Eat Well, Move Well, Live Well author Galina Denzel mobilizes her hips while getting much needed editing work done.

The prep for a new book launch includes many packing supplies. To get ready for all the packing work, we train by taking them to the office on foot.

Our ideas are contagious! Even the audio engineer has learned to add movement to his day (the Whole Body Barefoot audiobook in process!).

https://www.instagram.com/p/BNFSPX8BNWP/

Author Katy Bowman shows how the simple shift of cooking outside can add more movement, nature, and family-in-nature time to something she does every day. More on this “stack your life” idea in Movement Matters.

Always learning about, listening and scanning for wildlife, Dawn Again and Wolf Girl author Doniga Markegard identifies a downed sparrow under her window.

Dynamic Ager and Dynamic Aging co-author Joan Allen celebrates her 79th birthday on the Appalachian Trail.

And to see how the entire Propriometrics Press staff applies the principles of Move Your DNA to our working and reading time, check out our post Dynamic Reading and Writing.

For more Practice What You Publish examples, follow us @propriometricspress and our authors on Instagram: @nutritiousmovement, @galinadenzel, @rolanddenzel, @dawn.again


Take a walk on the range

Guest post by Dawn Again author Doniga Markegard

Just outside my front door there is a field of stinging nettles the size of half a city block. It is the healthiest plot of nettles I have yet to see.

It was not always that way. There was an old barn on the hill above, that once was a milking barn and then held moonshine during prohibition. The activities in the barn helped pay the mortgage on the ranch and supported the growing family of settlers. When my husband arrived on the ranch the barn was falling down, due to lack of maintenance. The new owners made money elsewhere and simply used the ranch as an escape from the modern day stresses and routine.

The barn was bulldozed into the ground. Remnants of the roaring Twenties and a family of farmers making a go at life in California would soon turn to dirt. That dirt would then be fresh breeding ground for seeds that were carried along the coastal winds, dropped by birds as they migrated or a fox as he marked a territory. The seeds that lay in the freshly disturbed earth were not those that dominated the surrounding grasslands. They were seeds that some call the name forbidden to utter in some circles, the dirty word that many groups dedicate themselves to seek out and conquer: Invasive Species.

Poison hemlock, ripgut brome and medusahead all are icing on the cake of the conqueror. As these species drift around the world, looking for an opportunity to propagate, we have a choice to view them as a problem or an opportunity. So when the dirt became home to Italian thistle and poison hemlock, we put in the pigs. In nature, waste equals food, so if we are to mimic nature, everything eats and is eaten. When we want to sculpt our lives and our landscapes, that basic principle can help us avoid dissonance. The pigs did what they do: eat everything. They ate the roots of the plants because we let them stay long enough to feast on the starchy taproots of the thistle. Then we moved them off and let the ground rest and recover from the disturbance.

Winter set in, and soon a diversity of plants began to establish in the pig fertilized and disturbed earth. We did not spread any seeds, just waited and watched as the drifters found a settling place amongst the diversity and chaos. The result is a field of stinging nettle that is so healthy that the top leaves are the size of my hand—despite the drought—rivaling those of the Pacific Northwest, where everything is greener and bigger. So when life brings us stinging nettles, what more are we to do than to eat, a basic behavior we share with all life on earth. The act of gathering, preparing food and then the celebration of eating helps us to tap into that familiar comfort of not only surviving, but thriving.

Each species has a role and once we begin viewing this diversity as something to celebrate rather than select, isolate and destroy, the better off our lives and landscapes will become. The ranches on which our livestock graze support 66 species of birds and 157 species of plants. In all this diversity there is food being grown. How we tend to that food source is up to each and every individual. For our family, in spring, an abundance of stinging nettle means it’s time to make stinging nettle chips!

Recipe: Stinging Nettle Chips

Ingredients:

Top 3 or 4 sets of leaves of the stinging nettle plant before they flower in the early spring

Olive Oil

Apple Cider Vinegar

Nutritional Yeast

Sea Salt

Instructions:

Harvest the nettle, be creative, collect as many as you can. See page 211 of Dawn Again to learn how to harvest without gloves. I also recently worked with my daughter Quince and I held a bag under the plant while she carefully cut the leaves with scissors. Enjoy the adventure of interacting with the plant.

Find a bowl large enough to fit all the nettles. Pour in the olive oil and vinegar about 3 parts oil to one part vinegar. Stir in the nutritional yeast until you have a slurry. Add in a couple pinches of salt to taste. Set all the trimmed leaves of the stinging nettle as well as the top group of leaves that form a bud. With a wooden spoon gently massage the oil mixture into the nettles until they are thoroughly coated. Pour in more oil as needed to coat the nettle. Take your time with this, part of the process is to massage out the stingers. Don’t tear the leaves, just work the oil into the surface. You know when it is ready when you pick up a raw nettle leaf, eat it and it does not sting your tongue. When you taste it, go through a sense meditation before you place the leave on your tongue. Then use your intuition to add more salt, fat or acid to the mix. See page 60 of Dawn Again for sense meditation. Preheat the oven to 300 degrees and place the nettles flat on a cookie sheet. Cook for about 20 mins, turning half way through until the leaves are crisp but not burnt.


Dawn Again in the wild

With Dawn Again: Tracking the Wisdom of the Wild successfully launched into the world (get some details on the launch party in Half Moon Bay right here  and see some more photos here and here), author Doniga Markegard is getting ready to hit the road, returning to the Pacific Northwest, where her story began.

With a nice mix of bookstore events and public workshops, you’ll have lots of opportunity to meet Doniga and hear about the experiences she brings to the page in Dawn Again.

November 15, 6:30pm Trackers Earth, Portland, OR

November 16, 7pm at Barnes and Noble Lloyd Center, Portland, OR

November 17 6pm Wilderness Awareness School, Duvall, WA 

November 19, 3pm Eagle Harbor Books, Bainbridge Island WA

We’re also really pleased by the reception this book is receiving already. It was a featured review in the November issue of Foreword Reviews

And Doniga has had some great chats with podcast hosts Daniel Vitalis, Diana Rodgers, James Broderick, and Roland and Galina Denzel!

Plus, we hosted our first Facebook Live with Doniga on November 1, publication day for Dawn Again (well, our second live, if you count our trial live, which is linked above, in which Doniga and I discussed the launch party!), so if you can’t make it out to one of Doniga’s in-person events, there are still lots of opportunities to find her in the wild. Speaking of the wild, we do love to see photos of our books being read out in the world, so if you are reading Dawn Again, take a photo and tag us on Instagram!

And California friends, stay tuned, we are putting together some bookstore dates for early 2018! More about those as they firm up.


Nature school rules

As kids and parents everywhere get ready to get back to school—whatever that might mean in households and communities across the continent and beyond—we’re getting ready to publish Dawn Again, by Doniga Markegard. As well as being a memoir of Doniga’s time as a wildlife tracker and regenerative rancher, it is also a love letter to a nature-based education.

 

Doniga was fifteen years old and rebelling hard when she finally found her way to the Wilderness Awareness School near her home in Washington State. Attending high school through WAS changed Doniga’s life for the better (you can read more about that here), and the experience continues to ripple and reverberate through her adult life, and into the lives of her children, all of whom are also students at their local nature school in San Mateo County, California. And Doniga has kept her hand in, too. She’s an instructor at Riekes Center for Human Enhancement, bringing what she learned in nature school to a new generation of students.

Because Doniga is passionate about nature education, she’s looking forward to celebrating the launch of Dawn Again with an interactive Facebook Live event on Wednesday, November 1. We’re inviting nature school administrators and parents to take part, as well as anyone who’s curious about a nature-based education and whether it’s right for their family. The event is called What Comes After Nature School?, and it’s free and open to all who are interested.

The details:

What: An interactive Facebook Live event called What Comes After Nature School?

Who: Doniga Markegard, regenerative rancher, nature school graduate, author of forthcoming memoir Dawn Again: Tracking the Wisdom of the Wild

When: Wednesday, November 1 at 4pm-5pm PST 

Where: Online, wherever you are! It’s all happening on our Facebook page

Why: To hear about Doniga’s nature school experience, the ways in which it prepared her for college and her adult life, and why she chooses it for her own children now, and to have your own questions about nature education answered

We look forward to seeing you there!


Introducing Doniga Markegard

This fall we’ll publish Dawn Again: Tracking the Wisdom of the Wild, by Doniga Markegard. We’re excited about this book (Starhawk is writing the foreword!!), a memoir that traces Doniga’s life from the time she was a teenager seeking direction and meaning, through her time at the Wilderness Awareness School in the Pacific Northwest, from her studies with Lakota elder Gilbert Tatanka Mani, to tracking mountain lions along California’s rugged coast, to falling in love with a rancher named Erik and starting a life and a family with him. Doniga’s understanding of the natural world, and the lessons it holds for all of us make this memoir a must-read for anyone longing for a deeper connection with nature. When you order Dawn Again through our pre-sale, you get access to a thirty-minute long audio file called Tracking for Beginners, in which Doniga offers tips and advice so you can get started right now, no matter where you are. 

We had a chance to ask Doniga some questions about Dawn Again. Here’s our conversation:

When you think back to where you were in your life when you began learning to track, what kind of road might you have followed if tracking and wilderness studies had not presented itself as an option?

That is an interesting question. I discovered tracking when I was searching for meaning in my life and a direction where I could feel part of the solution to some of the destructive things I saw happening around me. As a child I would often ride my horse on logging roads and witness an entire hillside clearcut. When I began traveling the county and seeing crop dusters spraying chemicals on long rows of monocrops I became further disillusioned. I had grown up close to nature and the beauty of rivers and trees. It was not until I began tracking that I connected the pleasures I felt or fully understood that the life I experienced growing up was being threatened by over extraction of resources. I think if I had not discovered tracking I may have followed what the people around me were doing instead of following my heart. It is hard to say where I would have ended up because my life took so many turns, yet I was always led back to nature.

What do you think Gilbert Tatanka Mani saw in you that made him want to work with you?

Gilbert did not just mentor anyone who came along. Some people would visit searching for spirituality and he would remain silent. He had a way of knowing what stories and lessons to share at just the right moment. I think what he first saw in me was a passion for learning everything about nature and he admired that. At first he did not pay too much attention but taught me small things such as how to make prayer ties or a sacred song. When he would share something with me I would immediately take it on in my life and practice it daily. It was this dedication that he saw in me and led him to share more. When I would tell Gilbert what I learned and stories about my time in nature he would share more. This grew to a very deep spiritual relationship, one that I had not expected going in, yet emerged in the most natural way.

You kept extensive tracking journals that you were able to go back to in writing this memoir. What went through your mind as you pored over those?

I loved looking back at my old tracking journals. It was like peering back in time to the first discoveries of the stories that are all around us. The maps I drew immediately brought up vivid memories of the places I frequently tracked. I could almost smell the cottonwood buds and hear the rivers and feel the rocky sand beneath my feet.

What has tracking brought to your life?

Tracking has brought a deeper sense of my own connection to everything around me. It has also brought me a deeper connection to myself. When tracking an animal I put myself in the past, present and future in order to gain clues about the animal, what it was doing, where it was going, when it passed by and why the animal was moving the way it was moving. When I track I ask a lot of questions. These types of questions, who, what, when, where, why and how can be applied to anything in my life. Solving mysteries of tracking can convert to problem solving at my own ranch. Tracking also brought me a very keen sense of observation. While tracking I am constantly looking at the natural cycles around me to take in the bigger picture of the story. Now that I am practicing regenerative agriculture, that keen sense of observation has been key to making good decisions for our family and our land.

What did you learn about your own experiences in tracking, ranching, and raising a family by writing Dawn Again?

Writing Dawn Again provided me with a time to reflect. I think often times people do not take the time to do that in their lives and they may keep moving forward without learning the lessons from the past. Writing the book also gave me an opportunity to be thankful for the gifts I have been given. I felt so grateful for the lessons of nature, the mentors in my life and my family that have all shaped who I am and the outcome of what my life has become. Often when I was writing and thinking very hard about how to approach a chapter or a subject I would do research of things that were already written, but that did not give me the feeling that I was complete about my writing. What helped me to round out my stories of the past was when I walked outside and interacted with nature, or sat down and had a conversation about the subject with my husband, children or friends. One time I was writing a story about a coyote and I walked out my front door and a coyote was standing up on the ridge. When I was writing I was paying very close attention to everything around me, just like tracking I was looking into the past, present and future through all of my senses. What really came out when I was writing was the less tangible sense of instinct. I just got into a zone, like when I trail an animal. My fingers moved and not many thoughts went through my head as the words came on the screen.

See and hear more from Doniga Markegard here on the San Francisco Exploratorium website, where Doniga is part of a permanent exhibit called Listen.

will be published November 1, 2017. Our pre-sale is on now, through the summer. You can follow Doniga Markegard on Instagram to see nature through her eyes, and to glimpse some artifacts of her tracker past.


Cover Story: Designing Dawn Again

 

This fall, we’ll publish Dawn Again: Tracking the Wisdom of the Wild, by Doniga Markegard. It’s a riveting memoir of exploration and survival. As a young girl, Doniga Markegard was thrown from her horse and knocked unconscious. She remembers an out-of-body experience that revealed to her the great mystery at the heart of life. In Dawn Again, she writes of the journey that experience sparked.

At a wilderness immersion school, medicine people and wildlife trackers train her in indigenous ways. Her search for an authentic life takes her hitchhiking across the West and to Alaska, where she falls deeply in love with tracking wolves and the rigors of surviving in the wilderness.

 Doniga seeks a vision and discovers her purpose, only to find herself on a cattle ranch, falling in love and starting a family, and learning a new way to apply the deep, unshakeable lessons of the wild.

We’re really excited about this book and we knew it needed a really special cover. So we turned, as we do, to our incredibly talented designer, Zsofi Koller. She did not disappoint. We took the opportunity to chat with Zsofi about the cover for Dawn Again, and what went into making it.

How do you approach the design of a cover for a new book?

Book cover design is about making an intangible tangible. On one hand, there are endless options. ENDLESS. On the other hand, if you listen to what the book is about—and I mean, listen with ALL your senses—some ideas become clear tracks to follow. And I follow those tracks, and see what happens.

When I’m doing first cover design, the book itself might not be written fully yet, or I might not have access to the full manuscript. So I’ll often get a debrief from the editor or author about the WHAT of the book. Not just the what—also, the spirit and heart of it. And I’ll daydream about it, and I’ll go to the bookstore and roam around thinking about it, and I’ll look at approximately a billion things online to get ideas.

And eventually I start to pile together ideas from my mental toolbox, and often times visual cues from my teammates, and it starts to take shape. And then I run my first concepts by our team, and we take it from there.

You chose not to use a photograph for this cover. Why not?

Well, we did try that idea. Pretty cute, right? (We were still ironing out the subtitle at that point, too, it seems!)

But it wasn’t the right idea for this book. This book isn’t best expressed by a photo. There’s a side of introspection, of spiritual exploration, that is best captured by a slightly more evocative imagery. So the thought of a wolf that embodied a sunrise felt too perfect to not use.

 What were some of the particular challenges in designing this cover?

In total honesty, this cover didn’t feel like it had challenges. It came together pretty seamlessly. There were a lot of different iterations of sunrises and wolves though!

How do you know when you’ve landed on the right design?

When it makes someone on the team cry. And I can just feel it, too. When I come back and look at the design 24 hours later and still love it, I know it’s working. When I want to show it to my husband, it’s working. When I want to sweep everything into the garbage bin and keep working, it’s not right yet. And there’s really no short cut to the process. Sometimes it takes less time, or more time, but it’s always a process.

 What do you most like about this final design?

I love the colour palette. A lot of our covers tend to be quite bold, which I love as well, but I enjoy the softness of the greens, pinks, oranges, and cream in this cover. It certainly feels true to a glorious dawn. I’m also very fond of the fonts we landed upon. A good font for a book is a little gift that keeps giving. I’m so looking forward to the interior design—the pieces have been laid in play so nicely by the cover, it makes the whole design process flow smoothly.